By Bonnie Stanard
Robert Frost was quoted as saying,
“Writing in free verse is like playing tennis with the nets down.” I would ask,
If you’re playing tennis with the nets down, are you playing tennis?
Free verse is usually defined as verse
without meter or rhyme. Most poetry I read today is free verse, whether we
classify it by form as narrative, lyric, sonnet, etc.
Take a
look at the excerpt below from “Nightclub”, written by former poet laureate
Billy Collins and printed without its versification. Is this poetry or
prose?
You are so beautiful and I am a
fool to be in love with you is a theme that keeps coming up in songs and poems.
There seems to be no room for variation. I have never heard anyone sing I am so
beautiful and you are a fool to be in love with me, even though this notion has
surely crossed the minds of women and men alike.
Prose poems have enthusiastic
defenders. This is a poem that “appears as prose, but reads like poetry,”
according to www.poets.org. I’d like to know what reads like poetry means. Prose poems throw out meter and rhyme as
well as versification. What meaningful difference is there between prose poems
and flash fiction? For poets to stake a claim on prose can only mean the genre
is desperate for an audience.
Some poets are staking out territory in
music. Poetry on Record, a CD
collection, includes several poets reciting to music. I have to wonder when
some writer will come out with a CD collection of, not lyric poems, but “song
poems” with a trio knocking off a beat in the background.
Poetry slams, defined as performance
poetry, have emerged as competitive events. In this case, the success or
failure of a poem depends not so much on the merits of the writing as the
performer’s ability to entertain. Written representations of these poems convey
less in terms of drama or substance.
Fiction writers rehash characters and
plots that have been around since the first written words. They’re able to make
prose interesting for the contemporary reader without abandoning the devices
that serve the style, things like dialogue, foreshadowing, symbolism,
narration, point of view, etc.
In the 20th Century, rhyme morphed into
assonance/dissonance, and meter went from structured beat/lines such as iambic
pentameter to syllabic and blank verse. Innovation in poetry today seems to be
missing the mark. Why have we abandoned rhyme and meter rather than pioneer
revolutionary varieties? Surely there are more avenues to explore. Aren’t
there?
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