Showing posts with label guest blogger. Show all posts
Showing posts with label guest blogger. Show all posts

Conference Prep from an Illogical Mind

By J.M. Kelley

Prepping for an upcoming conference can be traumatic for an author, especially one who has issues with logic. Like me.

Last year, my first SCWW conference, I hadn’t even achieved South Carolina residency yet. Sure, that’s not a requirement. But a tiny part of me felt like I was cheating on my home state of Pennsylvania when I slipped into my car in the wee hours of the morning to slink off to visit my new paramour, the SCWW.

Logic isn’t my friend.

Luckily, this time, I can attend with a clear conscience. I broke up with Pennsylvania and moved to Greenville. Nearly a year later, my relationship with The Palmetto State is as strong as ever.

But, I digress. We were about to discuss conference prep.

We all know the basic battle plan for attending a conference with an unsold manuscript in possession. Some of the more important points are:
1. Know your story. Be prepared to sell it. Have your query ready. Memorize your elevator pitch.
2. Dress comfortably but professionally.
3. Have your classroom supplies ready. Bring notepads, pens and pencils, maybe a voice-activated digital recorder.
4. Choose your courses with thought. Think about what you want to take away from the conference. What are your weaknesses? Grammar? Marketing? Clueless about formulating a professional query letter? Focus on your needs, but don’t be afraid to mix it up a little.
5. Step outside of your comfort zone. We’re authors. We understand the introvert tendencies some of us experience. Make friends. Make contacts.

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Pretty straightforward information, but always worth repeating, don’t you think?
Especially for a scatterbrain such as myself. I know the rules. Honest. But when it comes to applying them, logic often fails me. So let’s explore my brain in pre-conference prep mode. Consider it an exercise in how not to prepare.

Know Your Story.

I know my story. I can describe it to you. Do you have a half an hour? See, this girl, she has to come home to help out her father…

Okay, I know my story. And I’m working on the short version. I promise you that. It’s the elevator pitch that frightens me. How do you sum up a hundred thousand words in one sentence? This is the question that keeps me awake at night. And queries? Don’t even get me started on queries. My first novel went through about seven different queries before I finally found one that stuck. The first one will someday be featured on several agent sites to demonstrate what not to do when trying to entice an agent.

My biggest conference fear is that the following conversation will occur.
Random Agent: So what’s your story about?
Me: Huh? What?
R.A.: Your story. The entire point of you being in my presence. What is it about?
Me: It’s a book.
R.A.: Yes. Kinda figured that.
Me: It’s really good.
R.A.: Mm hmm. Excuse me. I have to go throw myself from the roof.
Me: Have fun?


Be Prepared To Sell It.

In my mind, that means one thing. Snazzy business cards. And when it comes to business cards, my idiocy emerges and I need the intervention of friends to return me to sanity.
Me: I think I found a business card design I like. Want to see?
Friend: Sure. (Views link to business card image) There’s a banana on this business card.
Me: Yes. It’s a very cute banana.
Friend. You hate bananas.
Me: I hate eating bananas. I like dancing bananas on business cards, though.
Friend: You’re an idiot. What does this have to do with your writing?
Me: I’m sure there’s a banana somewhere in the book.
Friend. Again, you’re an idiot.


Dress Comfortably But Professionally.

Exchanges like this are not productive when trying to decide on appropriate conference attire:
Me: What do you think of this skirt?
Friend: It looks good on you.
Me: Do you think I can wear my combat boots with it?
Friend: No. No combat boots.
Me: How about this dress? Does it make me look fat?
Friend: No. I think it’s a great choice for the Keynote Address Dinner.
Me: The skirt is longer on this. Definitely a combat boot kind of dress.
Friend: For the love of all that is holy, do not bring the combat boots.
Me: They give me an air of quirkiness.
Friend: They give you an air of Odor Eaters. Those things are ten years old and smell like death.


Have Your Classroom Supplies Ready:

My interpretation:
Go to Target and spend an hour trying to decide between a neon pink Hello Kitty theme or a notebook that looks like a tropical garden just exploded from its recycled material innards.

Feel bad about leaving behind the giant wooden pencil I’ve owned since kindergarten.

Choose Your Courses With Thought.

This means you shouldn’t accidentally wander into the conference room hosting the Morticians of America Annual Meet and Greet and Crematorium Emporium.
This also means that the crumpled course list you’ve been nervously twisting and untwisting in your hands has another, more important, use.

Step Outside of Your Comfort Zone.

Last year, I was a wall flower. An unemployed wallflower who selected the Basic Package and somehow managed to leave the conference without realizing she’d been awarded a Carrie McCray Memorial Literary Award.

This year I’m volunteering. That, my friends, is a step outside of my claustrophobic box of isolation.

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Okay. Clearly, I’m exaggerating my mindset as the 2011 SCWW Conference approaches. Well, a little bit. I really am logic-impaired, and really do have a Hello Kitty notebook that is trying to wriggle its way into my bag of conference supplies.
The real point I’m trying to make, all kidding aside, is this: Don’t overthink it. But don’t underthink it, either.

You’re a writer forging into territory where some pretty impressive names in the publishing industry will be lurking. It’s smart to be at the ready, just in case you manage to catch the ear of your dream agent or editor.

Don’t wander the conference rooms with three printed copies of your full manuscript, attacking editors and agents at will. But don’t be afraid to think positive. There’s nothing wrong with having a flash drive handy with samples of your work, ready to print out in the Business Center just in case you get that miracle moment where an agent begs to see the evidence of your brilliance. More than likely, if you get an invitation to submit your work from an agent, you’ll be emailing the requested material once the conference ends. But a writer can dream.

Don’t sweat the attire. But don’t wear your twenty-one year old Chuck Taylor All Star sneaks and a ratty pair of acid-washed jeans that looked great on you in 1986. Be comfortable, but be mindful of the image you project to publishing professionals.
Pick the classes that appeal to you and your particular writing niche. And be prepared to take notes. Don’t let all the free-flowing information go to waste. A year after my original SCWW Conference experience, and I still often peek at the notes I took to refresh my memory about a certain point.

Have the kind of fun that doesn’t end up with you doing the Macarena on the hotel bar with a lamp shade on your head.

The most important advice I can impart is this: Reach out. I emphasize this because I am too often compelled to blend into the scenery. Interacting with real humans is infinitely more stressful to me than creating fictional characters. Thing is, even the most introverted, shy person at a writing conference has the easiest conversation starter at their disposal. Look around you. Find a kind face. Walk up to them and say, “Hi! So what’s your book about?”

Everybody there will have an immediate answer for you.

Solidarity, brothers and sisters. Embrace the opportunity to connect with the milling crowds of people who know just what it’s like to have the one job in the world in which it’s perfectly okay to respond to the voices in your head. You won’t be sorry.


J.M. Kelley's debut novel, Drew in Blue, is a contemporary romance available from Lazy Day Publishing. Drew in Blue was nominated for Best Contemporary of 2010 by The Romance Reviews, and is a TRR and Night Owl Reviews Top Pick. Drew is available for download from Amazon, B&N, All Romance, and OmniLit. J.M. dabbles next in the paranormal realm with her short erotic romance, Laws of Attraction, included in the Lazy Day Publishing anthology, Indulgence: Tales from the Cirque Romani, available via Amazon on October 19th. For information and news, please visit www.jmkelleywrites.com.

Guess Who's Guesting!

Meet me at Angi Morgan's Picture A Day Blog. I'll be hanging out there all day today!

http://www.angimorgan.com/

Just click on BLOG at the top of the page.

And by the way, I'm tweeting now! Click on the link at the bottom of the page to follow me. All my tweets will be writing-related. I promise.

Guest Blogger: Allia Zobel Nolan

How I Do the Things I Do….Creating Books That Sparkle and Pop

Explaining what I do is really the hardest thing I have to do, which is why I don’t do it that very often. I’m not one who keeps to a strict routine. I have no set formula. I can’t account for the fact that at times, I can write a book or article lickety-split; other times, filled with sturm und drang, I sweat and struggle for weeks. What’s more, I’m definitely not one of those authors who sit down every day and the words just pour out. Ye gads! Wouldn’t that be wonderful! Yet, I’ve managed to survive (with help from an understanding husband) as a writer, and have over 170 children’s and adult books, not to mention the odd blog and on-line article, to my name.

And now that I’ve thought about my process (which is really as simple as “work like a dog when you have a deadline and work like you have a deadline when you want to walk the dog”), I’m amazed at how much info I have that I didn’t think I had that I can write up and share so other writers can do what I do as well as I can, but hopefully not so well as to put me out of business, so I can continue to do what I do well and share how I do it with others.

So, I am hoping and praying that, since I’ve finally gotten all of this good stuff (20 years accumulation) out of my brain and into seminar form….that those interested in writing your average kids’ book, inspirational titles, Bible Storybooks for kids, or novelty books for kids that slide, pop, sparkle and squeak, (or those looking for a good guffaw, some neat handouts, and free LOL cat books) will mosey on down (or up or whatever) to the Myrtle Beach Hilton this October 23-25 for this tres kewl conference.

Not interested in Kids’ or Inspirational? Not to worry—there are many other
really neat workshops on all kinds of writing with wonderful authors, plus open mic sessions, meetings with agents and publishers (I’m first, though), work critiques, the sun, the sand, the surf…. Well, but if you’re on this website, you probably already know the whole scoop. If not, check it out.

Meantime, I must get back to my piece on helping writers deal with distractions,
which I’ve been working on for a month now because I keep getting all these silly emergency tweets from my friends, not to mention a ton of Facebook fan page offers, and well, the cats’ nails need to be polished, and I have to write these blogs for the SCWW and…. See you in October.
By Allia Zobel Nolan


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Allia Zobel Nolan is an internationally published, award-winning author specializing in children’s trade and religious books and adult humorous books. She has written over 150 titles, and has over 2 ½ million books in print. For the past nine years, Ms. Zobel Nolan worked for Reader’s Digest Children’s Books as a Senior Editor. She became a free-agent as of April 07, and is now at work on several religious children’s books.
New titles pubbing in 08 include: One Special Me: A Book Celebrating How God Made Me from Tommy Nelson; Smelly Feet Sandwiches and Other Silly Poems by Tiger Tales, and Purr More, Hiss Less: Heavenly Lessons I Learned From My Cat from Health Communications, Inc. And there will be lots more in 09.
Ms. Zobel Nolan has been published by Workman, Andrews & McMeel, Reader’s Digest Children’s Publishing, Barnes & Noble, Adams Media, Broadman & Holman, Zondervan, Cook, Scholastic (Veggie Tales), Concordia, Kregel, Standard Publishing, and Tommy Nelson. She has won several book awards, among them, the 2005 Mom’s Choice Award for the Most Outstanding Children’s Book for Preschoolers, an iParenting Award for Greatest Product of 2005, and the 2007 Teacher’s Choice Award. She has won countless awards for her writing.

Guest Blogger: Chuck Sambuchino

We're pleased to have Chuck Sambuchino joining us today. He is a freelancer as well as the editor of Guide to Literary Agents. He will be presenting at the South Carolina Writers’ Workshop Conference in October. Visit his blog at www.guidetoliteraryagents.com/blog.
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Freelance Article Writing:
The Query in 3 Parts

If you want to write freelance articles, you’ll be sending plenty of queries out to editors. Although there is no “perfect” or “surefire” way to structure a query, I have adopted and slowly tried to refine a three-part approach that seems to work pretty well.
No matter if you’re contacting an editor about writing for their magazine, newspaper or website, your number one tool is the query letter. You have one page to explain to editors what the idea is, why it will be a good fit for their publication, and why you’re a good writer for the assignment. Let’s dig deeper.

Paragraph 1
Hook an editor right away with the idea. You can do this several ways:

You can start off with an amazing fact. “Not only does Alaska have the country’s highest percentage of low birth weight babies, the percentage is actually going up yearly.” You’re trying to tell the editor This is news. This is important.
It might not have to be an amazing fact, but rather just an interesting tidbit. “There are 87 varieties of organic crops grown in the United States, but there’s only one farm producing 12 of these—Morganic Corporation.
You can start in media res—in the middle of a story. “It was 2:14 a.m. when a drunk driver smashed into the bedroom of Mike Edson’s condo and took the life of his wife.”
Just grab our attention however you can. Consider this example. “Last year’s dreaded recession brought countless white wedding plans to a screeching halt. According to David Bridal’s recent national survey, 75% of American brides-to-be are searching high and low for a way to still have the wedding of their dreams – without spending a fortune.”


Paragraph 2
This is where you take a step back and start to talk about the specs of the article itself. I typically start this paragraph with “I propose an article on …”
Here are things you want to address/include:
· Estimated length (word count)
· Targeted section of the magazine. Where will this article appear in the magazine?
· What kind of story is it? Feature? Profile? Column?
· The slant, if it needs explaining. For example, let’s say you hear about a local woman who’s planting a rose in town for every soldier that dies fighting the war on terror. You could pitch an article about her to a gardening magazine, a military/patriotic magazine, and a local interest magazine. But each one with one, you will have a different focus—a different slant.
· Do you have access to people you will interview? If you are proposing to profile famous screenwriter Charlie Kaufman for Creative Screenwriting, you will need to say that you have access to him somehow. Do you want to sit down with Kevin Garnett? How can you secure an interview?
· Do you have access to or will you provide art/pictures? If you’re writing for Popular Woodworking or Ohio Game and Fish, will you be taking your own photos to provide with the piece? You increase your chances of success, if so.
· Any quotes—or at least the names of whom you would interview. If you are writing a piece on low birth weight, to continue that example, you should quickly list the names of people you will consult and interview for the piece. With luck, you’ve already spoken with one and have a quote you can include in the query.


Paragraph 3
Explain why you are an ideal writer to compose this piece.
Do you have any qualifications of relevance? For example, if you’re writing for Men’s Fitness, do you hold any degrees or certifications in the health field?
Have you written about this subject before?
What publications have you written for, if any?
If you have enclosed or attached clips (previously published samples of your writing), say so. You can attach PDF scans of a piece, or simply paste a link to an online article. Ideally, you want to show them clips that have some comparison to what you want to write about. For instance, if you want to do a profile of gymnast who is considered the most promising eight-year-old in the world in her field, then do you have any sample profiles for the editor to see?
Keep in mind that if you have no clips to include, don’t embellish or exaggerate. Just skip the clips part. Finally, thank the editor for considering the submission and wrap up with “Sincerely, (Name).” If you’ve pasted links to your articles online, you should past the links under your name.
by Chuck Sambuchino
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Chuck will be joining us again tomorrow when he will share a sample query letter.

Guess who's coming to blog!

Lots of great guest bloggers will be stopping by in the next few weeks.

Our August list includes Jenny Bent, Nikki Poppen, Rochelle Bailey, Jim Casada, and Chuck Sambuchino.

Stay tuned. . .guest bloggers begin posting later this week!

Critique Slots are Filling Up FAST!

I sat down with the latest batch of registrations for the conference today and critique spots---especially extendeds---are filling up very fast. We already have several faculty members who are sold out. Don't miss your chance to get a critique from your first choice faculty member.

If you plan to purchase a critique or pitch session for the conference, don't wait to register! All critiques must be received by September 1, 2009 and we cannot offer critiques past that date. Although that seems like a long time, it's not. Less than six weeks left!

Here are the links:

If you plan to pay using your credit or debit card, use this link:
https://www.eventville.com/catalog/eventregistration1.asp?eventid=1005695

If you plan to pay by check, use this link:
https://www.eventville.com/catalog/eventregistration1.asp?eventid=1005691

We love it when you pay by check! Credit cards and debit cards charge SCWW a percentage every time we submit for payment. So, if you can pay by check, please do! It will mean that more of your money goes to support SCWW and the conference.

Guest Blogger: Scott Eagan, Greyhaus Agency

Today we have a great guest blogger!

Scott Eagan is an agent with the Greyhaus Agency. He represents romance and women's fiction. If you want to see what he's currently looking for check out this link to his submissions page:
http://www.greyhausagency.com/About_Us.html

Is it all about the writing?

The submission process to an agent is always a weird and bizarre process. When you stop and think about it, the relationship you have with an agent is about personalities. It is all about teamwork and how the two of you will work together to get those books of yours on the NY Times Best Seller list and for you to have a long and fruitful career. And yet…

The submission process begins not with the personalities but with the writing. You submit a partial or a query and we work from there. This is an interesting dilemma because frankly, you might be just the person an agent would want to work with, but if you really mess up that submission, that chance is lost forever. Ugh. Not what you wanted to hear.

Today I wanted to take some time to talk about some of the things that we look at, as agents, when we are selecting clients to join our line-up. Remember that this is just one agent’s approach. Other agents may do things differently, but I do have to say, we all start from the same place.

STEP 1 – The Initial Submission – So this is where we start. You have hopefully done your research and have fired off the required submission packet to the agent. It arrives on our desk and we log it into our computers and then will eventually read the submission. At this point, we are simply looking for 2 things:
1. The quality and marketability of the writing.
2. The professionalism of the writer in the submission.
Now, obviously, if the story is not something we are interested in, for what ever reason, the process will stop here. In the case of Greyhaus Literary Agency, I am specifically looking for romance and women’s fiction and the stories must be in specific sub-genres. Along the same lines, unless the writer is specifically targeting the category houses, I am interested in only 75,000 word manuscripts.

As we look at the stories, we consider a lot of different things. Is this a story that will sell? Is this a story that I love so much that I have to push it to the top of my “to do” stack? Is this a story that I know a specific editor is looking for? We even consider if this is a story that, although might not be there now, will be something that we can do something with after a little work. The key is, we are still simply looking at the story by itself. At this point, we are examining the story from a FORMAL CRITICISM point of view. As Eugene Nassar points out that the success of a piece of writing is “in its uniqueness, its contextual pattern, its complex of attitudes which is like no other."[1] In other words, we are looking for that story that stands out amid the piles of other submissions we are working our way through, as well as the authors we already have in our agency and those already in print.

Assuming you make it past this point and we request more from you. It is at this point that agents start to move from the writing to the writer. It is now that we start to examine whether you have what it takes to move to the professional realm of writing.
Before we move any further, I should note that we do start this process when we receive your manuscript in the mail. The cover letter, the submission packet are all representative of you as the writer. As the Head and Shoulders ® commercial states, “You never get a second chance to make a first impression.” If you fail to follow the guidelines we have set for the submission process, or you fail to show you can be professional, I don’t care how good you are as a writer, you will be rejected. If you come across as egotistical, or difficult to work with, you have shown us a lot. Remember, we are looking for the team player and that is seen so well in the submission process.

Some examples I have seen of writers really blowing it at this step have included:
· “I’m sending you the full manuscript even though you only wanted the partial.”
· “I decided to send you another project that is really better than this one.”
· Sending an email or note stating, “I want to hear back from a couple of other agents before I send this to you.”
· Sending a project that really isn’t what you pitched in the query.
· Sending an email or note stating, “Really my project isn’t finished yet but I should have it done in the next several months.”

I have a ton more I could throw at you here but for the sake of the conversation, we can keep it to this, just so you can get a feel of the problems we see. The point is, the message you sent to the agent at that point is not one that will lead you to “the call.”

STEP 2 – MOVING ON – So, let’s say you make it past the first cut. We love your story and now it is time to talk. At this point, many agents will take some time to call you and discuss what they are looking for in a writer. Although this may sound like an informational interview, this is a time to see how you react to the questions and the discussion we are having.

For myself, I am looking to see if this person is in it for the long haul. I have said this before but agents are not making money off of your first book sales (with the exception of some rare cases.). We make money from your later sales when we have numbers to show an editor. So, in my case, I will be seeing if you are a writer that has a vision (and a reasonable vision) of where he or she wants to be in the next 5 years. I have actually turned a few people down after I have really fallen in love with their story when I hear they plan on retiring after this first book. Really? In which reality?


Another thing we look for is someone that we can shape and mold. We are not looking for someone that has already reached, what I refer to as “DIVA STATUS”. You know the type – they already walk on water? We are looking for someone that can adjust to the demands of the climate, the editors, and the needs of the writing audience. This is when personality comes into play. Do you know your place in the food chain? Look, until you reach the top of the food chain, you still have to play the game.

At this point, we are really looking at the writer from a psychological perspective. Yes, this becomes subjective but it is crucial. Simply put, we have to work together.
Now, I should note that listening to pitches at conferences moves us directly to that phase. From the moment you walk in that room, we are watching you. We see how you approach the table. We see how you act before and after the pitch. And yes, we do watch throughout the conference. For example, when I am at a conference, I spend a lot of time “people watching.” I see the people that I think are giving off a bad impression as a writer. Unfortunately, if they end up pitching to me, that first impression has already been locked into my head.


Now the question, “Are there writers you would never want to work with?” You better believe there are. But before this comes across as sounding too harsh, for writers there better be agents that you wouldn’t want to work for. I have had the chance to meet a lot of writers since opening Greyhaus Literary Agency. For the most part, I like them all, but there are many that have made career and professional choices that I do not believe are part of the Greyhaus Literary Agency Philosophy. If those were to come to me with a 6 and 7 figure contract, yes, I would actually consider passing on those people, despite the fact that I may be passing on a lot of money. This is someone I just don’t want to work with, although I may like their writing. Again, we are back to the agent-writer relationship. We have to trust one another.

Remember though, this question should also be something that you as a writer considers. There should be agents and editors that you wouldn’t want to work for. It always comes across as a shock to writers when I state that really, there are probably only 3 agents out there that match your personalities. The same goes for publishers. Your story just doesn’t fit at every house. The voice has to match.


I think I have talked a lot now and hopefully have given you something to chew on. What questions do you have for me?

Scott Eagan
Greyhaus Literary Agency
www.greyhausagency.com

[1] Nassar, E. (1970). Lycidas as Pastique found in The rape of Cinderella: Essays in literary
continuity. Indiana: Indiana University Press pgs. 16-27

Scott will be checking in today to answer questions throughout the day so post your comments and questions.